Like many authors, Stacy Nottle’s has a rich and varied work history having worked as a shearer’s cook, a waitress, a scientific research assistant, a high school science teacher; and as a careers counsellor in an all boys’ boarding school.
Stacy’s career has evolved over time, yet her love of stories—other people’s and those she makes up for herself—has remained a personal passion.
Growing up on a sheep station at the far reaches of Australia, Stacy spent her early years adrift inside her make-believe world of mystery and imagination.
At age six, she went away to boarding school ‘in town’, and later ‘in the city’, where she discovered another world. She studied science at university and has worked as a shearers’ cook, waitress, scientific research assistant, high school science teacher; and careers counsellor in an all boys’ boarding school.
She has a liking for adventure and her body bears the scars of a big life well-lived.
Stacy is an active member in the Queensland writing community attending workshops, writers’ groups and festivals which have connected her with mentors and allies that have helped her along the way.
Stacy’s debut novel, After the Flood, will be released on June 30 by Black Phoenix Publishing Collective. After the Flood is a meditation on loyalty, human relationship and the lengths we would go to for those we love. Combining Stacy’s love of the bush and her personal interest in human dynamics and storytelling, After the Flood, is a gripping portrayal of how we cope in the face of trauma.
To celebrate the release of After the Flood, I decided to interview Stacy about the release of her debut novel and the writing life. Enjoy.
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Q1 / Can you share with us the story behind the story? What was the initial inspiration for writing After the Flood?
Many years ago, I participated in a Season’s Grief Program for Young People where I was deeply moved and fascinated to hear the stories the young people told of their loss and grief and how they dealt with it. More than a decade later, at a boarding school where I was then teaching, I found my attention constantly being drawn to this one, sandy-haired young boy of about twelve. He was from outback QLD and seemed in many ways to be a regular kid who was busy with the task of making new friends and settling into boarding school…but something about him was different. Then I found out that he had lost his sister to leukaemia and I realised that what I was observing was grief. The kind of grief that leaves a hole in your life that is too big to ever fill. I began to think about the boy’s grief, and then about his family who must have also been devastated by their loss. Farmer’s have enough challenges without having to deal with something as unspeakable as the loss of a child, I thought. It made me very, very sad. So I wrote about it. I created a little boy called Jamie McKenzie and tried to articulate how this brave, stoic little fellow coped when all around, his life was crumbling. It was only meant to be a short story, but then I met Wilhelmina Johnson, an eighteen-year-old girl from Sydney whose life had also been marred by loss. Then I brought Jamie and Wilhelmina together to see what would happen.
Q2 / How has the work changed from your initial idea to now, the finished publication?
It evolved slowly from that first impression of a young boy’s grief. The idea of a dual timeline (when Jamie was a boy and when Jamie is a man) came to me quite early. I remember talking to a counsellor once who told me that a child who suffers loss and trauma can take more than twenty years to recover and I wanted to see how Jamie was doing as an adult. So I created Jamie’s daughter, Cass, a young girl with a striking resemblance to his long-dead sister and thought – that’s interesting! Characters came and went, but those that matter are still there in the story, pulling their weight.
Q3 / Can you tell us a little about your writing routine?
When I first wrote about Jamie McKenzie, I was working full-time and was busy most weekends with sport, and I was desperate for my own quiet little space in which to write. So I set up a tiny desk in a tiny junk room in a corner of my drafty old house. But the floor was crooked and my office chair kept rolling away from the desk, and I had to hold my body in this rigid, lop-sided pose if I wanted to remain seated at the desk. Such constant contortion gave me a sore back. Also, it was cold in that little junk room. So I got a giant-sized desk and placed it in the corner of the lounge room, then found myself constantly grumpy when my husband, Richard, wanted to watch Landline or have a chat. Then I got cancer and took a year off work. During this time, I was too ill to write and my creativity seemed to have gone on holiday; but I did reread Julia Cameron’s ‘The Artist’s Way’ and began writing morning pages. Now I work three days a week and write in the lounge room on my days off and on weekends when the sun is shining and Richard is outside doing ‘what Richard does’ in the garden. I don’t write at night because then my brain won’t want to go to sleep and I like to get up early to walk my dogs. I love to pants. It is so much fun letting my characters do whatever they like. But I’ve discovered that if I don’t plot, I end up writing millions of words that will never see the light of day.
Q4 / What tools, books, workshops or resources did you find most supportive during the writing of After the Flood?
The Artist’s Way by Julia Cameron got me back to writing. Cancer helped me rearrange my priorities.
At the urging of a friend, I took a weekend workshop on self-publishing with Dallas Baker. Dallas told me about using Beta Readers (shock! horror! let someone read my scribbling?), gave me some very excellent advice and got me on the path to publishing. I sent After the Flood to seven beta readers including a few people who had some expertise in issues raised in the story such as a police officer. The feedback was overwhelmingly positive, but also really useful. Jessica Stewart did a structural edit and it was fabulous to have her brilliant advice and also her warm enthusiasm for Jamie McKenzie and Wilhelmina Johnson. The list of people who have helped is a long one.
Q5 / What do you know now that you wish you’d known when you were first drafting your novel?
While pantsing is fun, I really do need a plot.
Q6 / What are you most excited about right now?
That’s an easy one! I’m sitting at Brisbane International about to board a flight to the states to visit my daughter. I’m also very excited about the release of After the Flood. And I’m looking forward to getting back to the writing process and doing another story. I have two I’m working on. One is speculative fiction, set in a futuristic Brisbane, with a working title of Salience. The other is a memoir with the working title Breastless…or maybe Giantess with Angel Wings.
What would you do to save someone you loved? When the storm breaks and the creek at Moonbroch Station floods, more than one life is in danger.
After the Flood explores loyalty and the tensions and complexities of abiding relationships. A gripping portrayal of how we cope with trauma, After the Flood is as uplifting as it is thought-provoking.
‘Friends forever?’ she said. He cleared his own scratchy throat and nodded. ‘Yes.’ Then he reached down and gently tangled his little finger with hers. ‘Pinkie promise,’ he said.
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